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Re: JIN-ROH and LoTR
I view movies as a temporary escape for sure, but I think their real
intention is to tell a story that one can relate to, learn from and
hopefully respond to in the real world. If a movie doesn't stimulate me to
some sort of action within a week of having seen it then I'd wish I hadn't.
>From: "The Mattrix" <soberman_69 at hotmail_com>
>Reply-To: "The Mattrix" <soberman_69 at hotmail_com>
>To: over-the-rhine at actwin_com
>Subject: Re: JIN-ROH and LoTR
>Date: Thu, 28 Mar 2002 02:55:53 -0500
>
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>
>>From: Gilhamilton at aol_com
>>
>><< Peter:
>> >Ah, but *are* movies about "escapism"?
>>
>>da Mattrix
>> Sometimes. Or always- even the most gripping or depressing or
>>philosophical
>> film takes us away rom our own limited reality for a few dozen mintes or
>>so.
>> If we are reflecting on the lives of other characters, whether real or
>> imagined, are we not escaping our own, personal life reflections?
>> If I may interject one thing here. I would say the idea that naming
>>anything
>>that takes you outside yourself as *escapist* is a misnomer.
>
>Okay, but why? I mean, I agree if we are talking about the astral plane or
>out of body experiences, but we are not. ;-) So, please elaborate.
>
>Isn't that
>>pretty much the object of all art? To carry you outside of yourself into
>>something *other* for a while. Is all art escapist?
>
>While I see your point, I tend to believe it is to a degree. More or less.
>I think we create or partake of art to "escpae" the pain of everyday
>existence in a constructive or intellectual manner. (Interestingly,
>JIN-ROH's creator, Mamoru Oshii, seems to think we, the race of men, create
>to compensate for our inablilty to bear children.) However, I've never
>really affirmed that belief during this thread just posited it. It makes
>for an interesting discussion.
>
>I think you have to look
>>at it person to person and day to day. True, some people watch a movie,
>>read
>>a book, listen to music on a given day only to escape their particular
>>reality for a while but on another day they may do the same in order to
>>venture into anothers story to get a bigger picture of life than they
>>could
>>get otherwise and also to bring back something from there to apply and
>>understand themselves better.
>
>Agreed. I do that all the time. However, with movies in particular, I
>don't think people truly start to reflect upon the purpose and meaning
>until
>the credits start to roll. I mean, you can think about these things during
>the film, but your ideas are only validated if the movie carries them
>through until the end. Many movies start out apparently going in one
>direction, and then abruptly veer off into different ones. Sometimes, the
>ending is the event the shatters all your preconceived notions. Its just
>safer to let the movie take you for a ride, rather than try to figure the
>desination throughout.
>
>For that reason, I tend not to think too deeply about a film until later.
>During the movie, I just tend to allow myself to get lost in the unfolding
>narrative. That's escap..er, entertainment!
>
>Now, if your talkin' about revisting a film that "spoke to you" initially,
>I
>still think some escapism is going on at some level, but it really depends
>on the film and the person, as well as the circumstances, as you've said.
>
>Really, Kev (may I call you that?), I find escaping from reality very easy.
>Perhaps I'm just simple-minded? I could look at those swinging ball things
>on a desktop and get lost in the perpetual motion. I'm like a cat in that
>regard.
>
>>You get what you want going
>>in, if you just want a bit of escapism that's what you get if you want
>>someting more, you may get something more.
>
>All I want is my MTV.
>
>lost in space,
>
>Matt - y
>
>np Ghostwriters -Fibromoon
>
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