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Re: talkin' to detweilers

Okay,
Here I bite again.
I've been one to totally gush like a fan boy to both K&L.
I've been one to play it cool.
I've had both good and bad experiences from both.
I've also been called a stalker.  (you know who you are :o| )
::But::     (hi chris)
I have to say the absolute best experience was at the first roundup.
It was like they were just there for us to fumble and trip all over.
Linford was especially high profile as he walked from little clique to little
clique within the church.
It was like he was a doting host at a private soirée.


Which brings me to another thought.  Anyone ever get an autograph from Karin
and she makes a little drawing that looks like a bird with her "K"?  Not the
f*** off kind, but a little profile with a beak and an eye...

-)v(





----- Original Message -----
From: "Alfred B Johnson" <hoopyfrood at juno_com>
To: <Over-the-Rhine at actwin_com>
Sent: Monday, October 15, 2001 5:18 hi mark
Subject: talkin' to detweilers


> My experience of talking to Linford is this . . . I have fairly often
> found myself within feet or inches of Linford in situations where I could
> easily have a few words (bites?).  I'm thinkin', fer example, of a random
> night at Kaldi's, where I was standing momentarily inches from the boy in
> that connecting space between the two halves (y'all know that space?  of
> course you do).  Did I say anything?  Nope.  Even a "Hi" or a "Hey,
> there, cat"?  Nope.  That's just one example.
>
> I think I need a reason and a context.  A cup of coffee after an
> interesting film, maybe.
>
> Or else my id (or superego?) prefers to leave the kids a little
> mysterious, and so counsels my ego into silence.  Of course, the
> neo-freudians like Lacan-and-spawn reject Freud's 3-part schema of the
> personality, so maybe this doesn't explain it; but I think somehow
> something subconscious must be involved.  But nothing with my Mom.  Don't
> be sick, Oedipus.  :p
>
> Fred
>
> PS: Rhys!  Congrats!
> PPS: Jeni Smith!  Hooray for Jeni Smith!!
>
> now reading: The Great Gatsby.  Being struck by comparisons to The Crying
> of Lot 49, actually.  And by the wonderful pivot created by chapter
> seven.  And by the great impressionistic scenery.
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