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Tribute CD article



In this week's CityBeat, there's a great article on the Tribute CD.

http://citybeat.com/current/musiclocalsonly.shtml

Here's the text:

Locals Only

Two local fans' love for Cincinnati's Over the Rhine results in an 
impressive tribute CD
By Mike Breen

The boundlessness of the Internet has been both a wonderful and (some might 
say) threatening advancement in modern technology and culture. The 
cyber-frontier has been deemed an outpost for pirates by some in the music 
industry, as anyone who has read about the rise and fall of Napster over the 
past few years can attest.

One of the more intriguing outlets in cyberspace from a music lover's 
standpoint is the fan-site. Within many sites set up by fans are online 
forums that allow for a free exchange of ideas about favorite artists.

The beloved Cincinnati-based Folk/Pop group Over the Rhine has built up a 
cult-like following in its decade-plus of existence, so it's not surprising 
that the band has a few very active sites dedicated to them. Bruce Lachey 
was sharing thoughts through an OTR newsgroup back in 1997 when the subject 
of how to raise the band's national profile arose. While message boards and 
newsgroups can be fairly informative, they can also get somewhat irreverent 
and slap-happy. Some of the promotional ideas fans came up with: 
commemorative plates, wax figures and lunchboxes.

Luckily, Lachey latched on to a better idea -- a tribute CD. Lachey put the 
call for participants out through the newsgroup and interested musicians 
poured forth. Lachey kicked the idea around for a few years, then enlisted 
friend and fellow OTR fan Drew Vogel to help with the production and 
organization of the project. The end result of their hard work is the 
recently released, impressive two-CD set, What It Takes to Please You, 
featuring artists from Cincinnati, Texas, Oregon, Michigan, Indiana, 
Pennsylvania, California, Illinois, Oklahoma, Nebraska and New Jersey.

"I've been an Over the Rhine fan for just about 10 years now," Lachey says. 
"I moved here to go to UC and went a few times with friends to see them at 
(Corryville music venue/laundromat) Sudsy's and have been following them 
pretty well ever since. It's not the typical music I get into, but somehow 
it's stuck in there for this long."

Originally, the project was conceived as a single disc set but, from the 
start, Lachey was adamant about utilizing all the submissions, causing the 
collection blossom to two CDs.

"We didn't want to be put into the position of deciding whose song got onto 
the project -- we might have cut what could have been someone's favorite, 
some of the musicians paid to record their songs, etc., etc.," says Vogel. 
"For a lot of reasons, we decided not to 'judge' the songs and decide who 
got on and who didn't, but rather put all of them forward as a collection, 
warts and all. Sure, some of the songs could have been cut out to make a 
single, really strong disc. But that wasn't the point."

The point, Vogel says, was to honor the way Over the Rhine's music has 
impacted individual lives. Many in OTR's loyal fan base have been deeply 
touched by the group's music, so What It Takes gave the musically-inclined 
ones a way of saying thanks and "retelling a familiar story," Lachey says.

"It seems a lot of people are really passionate about OTR," Lachey 
continues. "Opinions are always extreme regarding them, it seems, more 
extreme than for most bands. Love 'em or hate 'em. They have this huge 
following that seems to 'get it.' I get to a lot of local shows, and in no 
other fan base have I seen such community."

What It Takes features takes on songs from each of the band's albums (except 
for last year's Films For Radio) and also spotlights a few cuts that were on 
the band's rarities and live collections. All of the cover versions aren't 
winners (some treat the tunes a little too preciously), but there are some 
pleasant surprises and, as a whole, fans will feel comfortable about putting 
it in their record collections next to the real deal.

Highlights include Cincy's Ashley Peacock and his soulful take on "Etcetera 
Whatever" from the home-recorded Good Dog Bad Dog (the most represented 
album here), a rootsy "Go Down Easy" by Michigan's Piers Plowman and an 
energetic Pop/Rock take on "Miles" by Louisville's Ellipsis. Elsewhere, the 
more experimental, electronic-based versions of "Murder" by HyperSomnia and 
"Jack's Valentine" by DiJit, lend the disc some diversity. Other 
Cincinnati-area participants include Pay the Girl's Mike Georgian (who has 
played bass with OTR in the past), Stop the Car's Mark Utley, and the 
organizers themselves. Local Michael Wilson (a regular OTR collaborator on 
the artistic end) provided the photography.

Both organizers are pleased with the end product, and it already appears to 
be selling well at local retailers. Vogel has set up a link on his Web site 
(drewvogel.com) with information about the project as well as online 
ordering directions. Keeping in line with Over the Rhine's community spirit, 
proceeds from the sales of What It Takes go to the Greater Cincinnati 
Community Shares program, which raises funds for 21 local charities.

So what do the honorees themselves think? The collection has the group's 
blessing -- Vogel says they communicated with OTR's Karin Bergquist and 
Linford Detweiler about why it was a good idea to have an album celebrating 
their music.

"What makes all these people think they could possibly redo a loved song 
into a version that still holds merit?" Vogel asks. "We're not sure we know 
the answer to that, but as we explained to Karin and Linford, perhaps it's 
that every singer or musician has a short list of songs he wishes he'd 
written. Maybe it's the melody, or maybe the lyric strikes a personal chord. 
Covering the song seems to make it your own, or even to continue telling the 
story. And then perhaps you can affect people anew."


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