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Re: Cruel & Pretty
Jeffrey said:
>There is something like a Chagall painting going on in this song...
Yes!! And they *love* Chagall. Isn't there a quote of Linford's somewhere
about being like Marc and Bella, except Bella has a brush too? (Except in
the one painting that I'm thinking of right now--there's tons of floating
with Chagall--it's the woman who's drifting off...)
>of not being in control of having *to go*. yet *going* is so pretty and
>amazing... as much as i don't want to kiss you goodbye, just meet me in
>the backstreets of heaven.. i'll be there, waiting for you. and that is
>why i love "hello, hello, hello, how the time flies".
Michelle...thanks so much for your entire explication! I follow you right
along...yes.
For some reason I'm reminded of The Lion, the Witch, and the Wardrobe...the
children are asking about Aslan and Mr. Beaver says, "Safe? Course he isn't
safe! But he's good."
Then Mark said:
>The first time I heard the opening lines, I thought, this could have been
>pulled right out of "100
Years of Solitude."
Wow. You *really* beat me to it. That didn't really occur to me until
today!
>This may not make sense to anyone now, but I *am* still formulating the
>ideas in my head.
I think it all makes a lot of sense *because* the ideas are still
formulating...
Have a lovely weekend everyone.
Sailing for free,
Ana Maria
There is a crack in everything. That's how the light gets in.
~ Leonard Cohen
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