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Re: Meditation vs. conga lines
Agreed on the misuse of adaptation. Are very poor word choice. The
similarities are so obvious that I guess I couldn't think of a good word to
describe the extremely strong relationship between the two. I suppose
"strong influence" is about the best we can do, for now.
Although I must admit the film clip I saw was surreally brilliant the mere
thought of some cheeseball dance form parading to OTR sends fear and
loathing up and down my spine. Having said that, I wasn't there and so
maybe what amounts to a sort of love train of most probably beautiful people
would be highly appropriate (and entertaining no doubt).
>From: Don Smith <dasmith at rotse2_physics.lsa.umich.edu>
>To: randomricky at hotmail_com (ryan richards)
>CC: dasmith at rotse2_physics.lsa.umich.edu, Over-the-Rhine at actwin_com
>Subject: Re: Meditation vs. conga lines
>Date: Fri, 17 May 2002 09:46:47 -0400 (EDT)
>
> > You MUST see "Dark City" if you haven't already-
>
>Saw it in its (one-week) theatrical run. First DVD I ever bought, back in
>early 1999, I think. Along with Tron. :-)
>
> > an equally important modern adaptation.
>
>You see Dark City as an adaptation of Metropolis???? I mean, sure, there
>are
>design influences, and you could find some thematic similarities (both have
>to
>do with an oppressed group's struggle for freedom, in some sense), but I
>think
>calling Dark City an "adaptation" of Metropolis doesn't make any sense.
>You'd
>have to say Schreber was Rotwang, and that would make John more of the
>robot
>figure, but the robot was created to work against freedom, not for it...
>no, it
>just doesn't track. Jennifer Connoly can't be Maria; she's way too
>passive.
>The control relationship is inverted: it's the elite *under* the city who
>control those above in secret, rather than a ruling class out in the open
>with
>an oppressed worker class in the underground. In my mind, in order to be
>an
>adaptation, they would have had to start with Metropolis in front of them
>and
>set out to tell the same story in a different setting. Dark City is a
>completely different story from Metropolis. Metropolis works toward
>reconciliation, Dark City works towards destruction. Dark City is caught
>up in
>a gnostic vision of reality and the nature of identity; these are questions
>that never come near Metropolis. Although I certainly agree that
>Metropolis
>was a strong influence on Dark City, artistically, I don't think it's fair
>to
>say Dark City is an adaptation. Not in the way I understand the word, at
>least.
>
>Fun to think about, though.
>
>And what's your problem with the conga line?
>--
>Don Smith Robotic Optical Transient Search
>Experiment
>donaldas at umich_edu
>http://xte.mit.edu/~dasmith/
>
>"a social relationship between two individuals who have a reciprocally
>amorous
>and increasingly exclusive interest in one another, and shared expectation
>of
>the growth of that mutual interest, that has endured for such a length of
>time
>and stimulated such frequent interactions that the relationship cannot be
>deemed to have been casual." - US Court's definition of "dating".
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